CZ:Guidel 2008 summer course on Music and Brain: Difference between revisions

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imported>Daniel Mietchen
imported>Daniel Mietchen
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===Brain (B)===
===Brain (B)===
{{rpl|Neuroimaging||#}} ([[User:Johannes Reinhard|Johannes Reinhard]] wishes to present, Test user would like to collaborate)
{{rpl|Brain development||#}} (Test user wishes to present, Test user would like to collaborate)
{{rpl|Brain development||#}} (Test user wishes to present, Test user would like to collaborate)
{{rpl|Brain evolution||#}} (Test user wishes to present, Test user would like to collaborate)
{{rpl|Brain evolution||#}} (Test user wishes to present, Test user would like to collaborate)
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{{rpl|Limbic system||#*}} (Test user would like to collaborate)
{{rpl|Limbic system||#*}} (Test user would like to collaborate)
{{rpl|Mirror neuron||#*}} (Test user would like to collaborate)s
{{rpl|Mirror neuron||#*}} (Test user would like to collaborate)s
{{rpl|Neuroimaging||#}} ([[User:Johannes Reinhard|Johannes Reinhard]] wishes to present, Test user would like to collaborate)


===Music cognition (MC)===
===Music cognition (MC)===

Revision as of 09:29, 17 June 2008

About

This page serves as a central forum for the Music and Brain course at the Guidel 2008 summer academy of the German National Merit Foundation.

The course is organized by Daniel Mietchen (Citizendium page/ lab page) and Stefan Koelsch (lab page).

It has two major aims – it seeks to provide participants with

  • an up-to-date overview about how the brain perceives and produces music and
  • an insider experience in a collaborative learning environment.

The task for each participant is to give a presentation on a topic relevant to music perception and cognition (see list below), and to assist at least one other participant in the preparation of their presentation.

Further than that, we wish to encourage participants to share the knowledge they gain in the preparation of their talks, preferably by creating an encyclopedic wiki entry about their respective topics. The language of the course will be German, and so the German Wikipedia would be one option for sharing but Wikipedia has a number of drawbacks, most notably vandalism, whereas Citizendium's policy (e.g. requiring real names) drastically reduces or effectively eliminates such problems. Most of the topics covered in the course do not have an entry yet in either of the Wikipedias or Citizendium, while the few entries that exist are of rather poor quality or very short, such that they will have to be re-written or expanded anyway. Under these circumstances, we deem Citizendium (which currently has only an English language version) to be most suited for the course. German will be allowed on this page and its subpages, though.


Timeline

30 June 2008 -- Topic selection due

31 July 2008 -- Rough draft due

31 August 2008 -- Final draft due

7-20 September 2008 -- Guidel summer academy (9-13h on working days, with a coffee break around 10.30-11.00, hence ca. 2x90min)

Course schedule (once the topics have been chosen, add your name once as presenter and at least once as collaborator; until then, indicate your preferences in the tentative list below)
Date Topic Presenter Collaborator(s) primary sources comments
Sep 7 Thema I Name Ia Name Ib Reference Ia, Reference Ib test comment vormittags
Thema II Name IIa Name IIb Reference IIa, Reference IIb test comment nachmittags
Sep 8 Thema I Name Ia Name Ib Reference Ia, Reference Ib test comment vormittags
Thema II Name IIa Name IIb Reference IIa, Reference IIb test comment nachmittags
Sep 9 Thema I Name Ia Name Ib Reference Ia, Reference Ib test comment vormittags
Thema II Name IIa Name IIb Reference IIa, Reference IIb test comment nachmittags
Sep 10 Thema I Name Ia Name Ib Reference Ia, Reference Ib test comment vormittags
Thema II Name IIa Name IIb Reference IIa, Reference IIb test comment nachmittags
Sep 11 Thema I Name Ia Name Ib Reference Ia, Reference Ib test comment vormittags
Thema II Name IIa Name IIb Reference IIa, Reference IIb test comment nachmittags
Sep 14 Thema I Name Ia Name Ib Reference Ia, Reference Ib test comment vormittags
Thema II Name IIa Name IIb Reference IIa, Reference IIb test comment nachmittags
Sep 15 Thema I Name Ia Name Ib Reference Ia, Reference Ib test comment vormittags
Thema II Name IIa Name IIb Reference IIa, Reference IIb test comment nachmittags
Sep 16 Thema I Name Ia Name Ib Reference Ia, Reference Ib test comment vormittags
Thema II Name IIa Name IIb Reference IIa, Reference IIb test comment nachmittags
Sep 17 Thema I Name Ia Name Ib Reference Ia, Reference Ib test comment vormittags
Thema II Name IIa Name IIb Reference IIa, Reference IIb test comment nachmittags
Sep 18 Thema I Name Ia Name Ib Reference Ia, Reference Ib test comment vormittags
Thema II Name IIa Name IIb Reference IIa, Reference IIb test comment nachmittags

Getting registered

Go to Special:RequestAccount and fill in the form provided there. Some additional hints:

Form field Suggested input Comments
User account/ Position author You can change that later.
Main areas of interest Eduzendium You can choose more and always change that.
Personal information/ Biography for your public user page I am a student of X in Z (place, country) and wish to contribute to articles about Music and Brain. You can always extend this later. Citizendium user pages are publicly visible but not indexed by search machines.
Other information/ Additional notes Guidel 2008


Writing instructions

CZ:How to edit an article gives general instructions on how to edit Citizendium pages. Please make use of the preview button before you submit a page you have edited. Remember we are creating an encyclopedia here, and so the individual articles should be informative as well as nicely phrased and illustrated. They should cover all aspects relevant to the topic such that an interested lay reader (imagine yourself as an undergraduate) can digest it and find suitable references for in-depth study. In contrast to Wikipedia, Citizendium makes use of subpages for these purposes.

If you want to invite other Citizendium authors (everybody here) or editors (a subset of everybody, with specialist knowledge in some area) to join you in working on your article, add this text: "{{EZarticle-open-auto‎}}" (just what's inside the "'s) just below the "{{Subpages}}" at the top of your article page. It produces this notice:

Nuvola apps kbounce green.png
Nuvola apps kbounce green.png
This article is currently being developed as part of an Eduzendium student project. One of the goals of the course is to provide students with insider experience in collaborative educational projects, and so you are warmly invited to join in here, or to leave comments on the discussion page. However, please refrain from removing this notice.
Besides, many other Eduzendium articles welcome your collaboration!


We strongly encourage such collaborative editing but if you want to make sure no other Citizendium authors or editors do anything to your article while you are working on it, add this text: "{{EZarticle-closed-auto‎}}" (just what's inside the "'s) just below the "{{Subpages}}" at the top of your article. It produces this notice:

Attention niels epting.png
Attention niels epting.png
This article is currently being developed as part of an Eduzendium student project. If you are not involved with this project, please refrain from collaboratively developing it until this notice is removed.
Articles that lack this notice, including many Eduzendium ones, welcome your collaboration!


Please also keep in mind that copyright restrictions may allow you to use some materials for your presentation but not here. If you are uncomfortable with writing encyclopedially in English, we suggest to concentrate on providing facts, references and figures for articles written by others.

List of possible topics

A tentative list of topics (will still be slightly rearranged until June 17) for the presentations follows below (an explanation of the colours and icons associated with an article is here). Other relevant topics are listed here. Comments and further suggestions welcome. The topics are structured at three levels: The first one is meant to indicate the broad topic, the presentations should focus on the second level (the one with numbers), while contributions by the collaborators could perhaps most effectively be done on the third level.

If you are interested in one of these topics, please sign up by replacing the "Test user" placeholders with ~~~ (these three tildes will then automatically be converted into your user name).

Music (M)

  1. Developing Article Musical syntax: A set of culture-specific rules underlying the composition and interpretation of music and often dance, too. [e] (Test user wishes to present, Test user would like to collaborate)
  2. Developing Article Musical semantics: The study of how music conveys meaning. [e] (Test user wishes to present, Test user would like to collaborate)
  3. Ethnomusicology: The study of music in its cultural context. [e] (Test user wishes to present, Test user would like to collaborate)
  4. Music universals: Add brief definition or description (Test user wishes to present, Test user would like to collaborate)

Brain (B)

  1. Developing Article Neuroimaging: A group of techniques used to visualize structure and function of nervous systems, especially the vertebrate brain. [e] (Johannes Reinhard wishes to present, Test user would like to collaborate)
  2. Stub Brain development: The build-up of the brain from ectodermal cells to a complex structure of neurons, glia and blood vessels. [e] (Test user wishes to present, Test user would like to collaborate)
  3. Developing Article Brain evolution: The process by which the central nervous system changed over many generations. [e] (Test user wishes to present, Test user would like to collaborate)
  4. Brain function: Add brief definition or description (Test user wishes to present, Test user would like to collaborate)

Music cognition (MC)

  1. Developing Article History of music psychology research: Description of the historical development of research in music psychology. [e] (Test user wishes to present, Test user would like to collaborate)
  2. Developing Article Music perception: The study of the neural mechanisms involved in people perceiving rhythms, melodies, harmonies and other musical features. [e] (Felipe Gerhard wishes to present, Katharina Höllerhage would like to collaborate)
  3. Stub Music production: Principles of generating sounds and music. [e] (Martin Schorb wishes to present, Johannes Reinhard would like to collaborate)
  4. Stub Music and emotion: An overview of the intricate relationships between music and emotion. [e] (Test user wishes to present, Test user would like to collaborate)
  5. Developing Article Music and disease: Add brief definition or description (Dorothea Kluczniok wishes to present, Felipe Gerhard would like to collaborate)
  6. Developing Article Music therapy: The planned and creative use of music to attain and maintain health and well being. [e] (Katharina Höllerhage wishes to present, Test user would like to collaborate)
  7. Stub Language and music: Forms of communication that has a number of common neurobiological, evolutionary and formal similarities and at the same time differing in syntax and meaning. [e] (Test user wishes to present, Test user would like to collaborate)

Biomusicology (BM)

  1. Stub Vocal learning: The ability of an organism to imitate sounds not inborn to it. [e] (Test user wishes to present, Test user would like to collaborate)
  2. Developing Article Origin of music: The evolutionary background of the human capacity for music. [e] (Test user wishes to present, Test user would like to collaborate)
  3. Developing Article Human uniqueness: A theoretical concept in evolutionary studies, often used in discussions about the evolution of biological traits found in humans. [e] (Test user wishes to present, Test user would like to collaborate)

General literature recommendations


Other useful information