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{{Infobox Song
{{Infobox Song
|name        = Dazed and Confused
|name        = Dazed and Confused
|image      = [[Image:Nocover.jpg]]
|image      =  
|album      = ''Led Zeppelin''
|album      = ''Led Zeppelin (album)|Led Zeppelin''
|published  = Superhype Music
|published  = Superhype Music
|registration = ASCAP 340128276
|released    = February 1969
|released    = February 1969
|recorded    = October 1968
|recorded    = October 1968
|genre      = Psychedelic rock
|genre      = Psychedelic rock
|language    = English
|language    = English
|length      = 6 min 26 sec
|length      = 6 minutes 26 seconds
|composer    = [[Jimmy Page]]
|composer    = Jimmy Page<ref>As officially registered with ASCAP</ref>
|label      = Atlantic Records
|label      = Atlantic Records
|producer    = Jimmy Page
|producer    = Jimmy Page
|engineer    = Glyn Johns
}}
}}
 
''''Dazed and Confused'''' is a song written and arranged by British Isles|British rock group Led Zeppelin, based on an original composition by Jake Greer Holmes, also titled 'Dazed and Confused'. Led Zeppelin's heavier and electric 'Dazed and Confused' was considered so significantly different from the Holmes acoustic version that the American Society of Composers, Authors and Publishers (ASCAP) assigned the unique serial registration of 340128276<ref>{{cite web|title =ASCAP entry 'Dazed and Confused'|url=https://mobile.ascap.com/aceclient/AceClient/#ace/work/340128276|publisher=ASCAP|accessdate =24 April 2014}}</ref> to its copyright, lodged by the newly created music publisher Superhype Music in 1968. Led Zeppelin's 'Dazed and Confused' has since been widely song cover|covered and was an early performance highlight for the group.
'''Dazed and Confused''' is a song rewritten and arranged by [[British Isles|British]] rock group [[Led Zeppelin]], based on an original composition by Jake Holmes, also titled "Dazed and Confused". Led Zeppelin's heavier and electric ''Dazed and Confused'' was considered so significantly different from the Holmes acoustic version that the [[American Society of Composers, Authors and Publishers]] (ASCAP) assigned the unique serial registration of 340128276<ref>[http://www.ascap.com ASCAP website]</ref> to its [[copyright]], lodged by the newly created music publisher Superhype Music in 1968. Led Zeppelin's ''Dazed and Confused'' has since been widely covered and was an early performance highlight for the group.


==Album version==
==Album version==
Engineered and mixed by Glyn Johns at Olympic Studios, London in October 1968, 'Dazed and Confused' was included as a key track on Led Zeppelin's eponymous 1969 debut album, ''Led Zeppelin (album)|Led Zeppelin''. The final album version was just the second of two takes the group recorded, with only the violin bow section overdubbed.<ref>{{cite book|last=Benson|first=Joe|date=1995|title=Uncle Joe's Record Guide: Hard Rock: Volume 1|edition=Revised|location=London|publisher=J Benson Unlimited|pages=12|isbn=978-0943-03114-9}}</ref> Opening with a measured slow-tempo rhythm accentuated by John Paul Jones' descending Bass guitar|bass line in the key of G Major, it builds to a climactic menacing performance, initiated by John Bonham's intense drumming and Jimmy Page's rapid fire guitar solo.<ref>{{cite book |last=Welch|first=Chris|date=2009|title=Led Zeppelin: The Stories Behind Every Led Zeppelin Song|edition=Revised|location=London|publisher=Carlton Books Ltd|pages=25|isbn=978-1-84732-286-9}}</ref> Jones' bass playing lays down the song structure, with a tenth jump from E then to G, followed by a descending G-F#-F-E pattern switching to D-C#-C-B. Page's single note playing is two octaves above, doubling the chromatic ostinato of the bass. This riff pattern is used throughout as an instrumental link and during the verse, only to be broken by a second riff on B, consisting of B-E-F#-A-B in one bar.


Engineered and mixed by Glyn Johns at Olympic Studios, [[London]] in October 1968, "Dazed and Confused" was included as a key track on Led Zeppelin's eponymous 1969 début album, ''Led Zeppelin''. The final album version was just the second of two takes the group recorded, with only the [[violin]] bow section overdubbed.<ref>{{cite book | author= Benson, Joe| title=Uncle Joe's Record Guide: Hard Rock: Volume 1| edition=Revised Edition | location=London| publisher=J Benson Unlimited| year=1995 | pages=p. 12| id=ISBN 0-943031-14-1}}</ref> Opening with a measured slow-tempo rhythm accentuated by John Paul Jones' descending [[Bass guitar|bass]] line in the key of G Major, it builds to a climactic menacing performance, initiated by John Bonham's intense drumming and [[Jimmy Page]]'s rapid fire guitar solo.<ref>{{cite book | author= Welch, Chris| title= The Stories Behind Every Song: Led Zeppelin: Dazed and Confused| edition=Revised Edition | location=New York| publisher=Thunder's Mouth Press Press| year=2001 | pages=p. 23| id=ISBN 1-56025-188-3}}</ref> Jones' bass playing lays down the song structure, with a tenth jump from E then to G, followed by a descending G-F#-F-E pattern switching to D-C#-C-B. Page's single note playing is two octaves above, doubling the chromatic ostinato of the bass. This riff pattern is used throughout as an instrumental link and during the verse, only to be broken by a second riff on B, consisting of B-E-F#-A-B in one bar.
A song very much influenced by the psychedelic period, with Robert Plant's manic blues-inflected pleading and Page's use of bowed guitar imbuing a sense of emotional foreboding.<ref>{{cite book|last=Williamson|first=Nigel|year=2014|chapter=The Music: 50 Great Led Zeppelin Tracks|title=The Dead Straight Guide to Led Zeppelin|location=London|publisher=Red Planet Publishing|pages=214|isbn=978-1-9059-5952-5}}</ref> Page's main Musical instrument|instrument for the recording was a 1958 Fender Telecaster with Supro amplification, a Vox wah pedal modified by Roger Mayer, and the ambience on the solo was achieved using EMT plate reverb.<ref>Jimmy Page interview in 'Hammer of the Gods', ''Guitar World'' (October 1993) Vol. 14 No. 2.</ref> His frenetic solo adapted from an earlier recording he appeared on called 'Think About It', which was a B-side on the Yardbirds final studio output. Page would later use his bowing technique on a number of other tracks, most notably 'How Many More Times', 'LA Drone' and 'In the Light'.<ref>{{cite book|last=Fast|first=Susan|date=2001|title=In the Houses of the Holy: Led Zeppelin and the Power of Rock Music|location=New York|publisher=Oxford University Press|pages=30|isbn=978-0-19-514723-0}}</ref> Page when asked about the technique:


A song very much influenced by the psychedelic period, with Robert Plant's manic [[blues]]-inflected pleading and Page's use of bowed guitar imbuing a sense of [[emotion]]al foreboding.<ref>{{cite book | author= Williamson, Nigel| title= The Rough Guide to Led Zeppelin| edition=1st Edition | location=London| publisher= Rough Guides| year=2007 | pages=p. 218| id=ISBN 1-84353-841-7}}</ref> Page's main [[Musical instrument|instrument]] for the recording was a 1958 Fender Telecaster with Supro [[amplification]], a Vox wah pedal modified by Roger Mayer, and the ambience on the solo was achieved using EMT plate reverb.<ref>Jimmy Page interview in "Hammer of the Gods", ''Guitar World'' (October 1993) Vol. 14 No. 2.</ref> His frenetic solo adapted from an earlier recording he appeared on called "Think About It", which was a b-side on The Yardbirds final studio output. Page would later use his bowing technique on a number of other tracks, most notably "How Many More Times", "LA Drone" and "In the Light".<ref>{{cite book | author= Fast, Susan| title= In the Houses of the Holy: Led Zeppelin and the Power of Rock Music| edition=1st Edition | location=New York| publisher=Oxford University Press| year=2001 | pages=p. 30| id=ISBN 0-19-511756-5}}</ref> Unreleased recordings of Kenneth Anger's ''Lucifer Rising'' soundtrack also contained extensive use of his bowing technique.
{{Quotation|I just wanted the guitar to sound different.<ref>Jimmy Page, 1969</ref>}}
 
{{cquote|I just wanted the guitar to sound different.<ref>Jimmy Page, 1969</ref>}}


==Live performances==
==Live performances==
Image:Jppromo1971.jpg|right|thumb|300px|{{#ifexist:Template:Jppromo1971.jpg/credit|{{Jppromo1971.jpg/credit}}<br/>|}}Jimmy Page performing his bowed guitar solo in 'Dazed and Confused', at Ulster Hall, Belfast on 5 March 1971.


[[Image:Jppromo1971.jpg|right|thumb|300px|{{#ifexist:Template:Jppromo1971.jpg/credit|{{Jppromo1971.jpg/credit}}<br/>|}}Jimmy Page performing his bowed guitar solo in "Dazed and Confused", at Ulster Hall, [[Belfast]] on March 5, 1971.]]
Concert performances of 'Dazed and Confused' gradually extended the improvised solos up to 45 minutes in duration, by 1975. The bowed and guitar solo sections in total would encompass up to 15 minutes alone. Progressively the bowed guitar solo was given room for extended free-form improvisation, which included a krypton laser light show in the latter half of the 1970s, to add to the theatrical spectacle.<ref>Steve Waksman, 'Rock Guitar from the 1950s to the 1970s' in Coelho, Victor (ed.) ''The Cambridge Companion to the Guitar'', Cambridge: Cambridge University Press, 2003, p. 119, ISBN 978-0-521-00040-6</ref> Further instrumental flourishes were added between the verses after 1972, punctuating the lyrical mannerisms of Plant. 'Dazed and Confused' was briefly dropped at the start of 1975 after Page suffered a dislocation of his ring finger on his left hand, and the song was temporarily replaced with the easier 'How Many More Times' in the set list. The song has been performed on every tour, until after 1975's series of Earl Court shows, at which time it was rested for a revamped set list for the 1977 American tour, with only snippets played within a song medley of 'Achilles Last Stand'.<ref>{{cite book|last=Lewis|first=Dave|date=2012|title=Led Zeppelin: From a Whisper to a Scream|location=London| publisher=Omnibus Press|pages=25|isbn=978-1-78038-547-1}}</ref> Page again presented it on his solo appearances and it was performed once again with Led Zeppelin at the O2 Arena, London for the Ahmet Ertegun Tribute Concert, on 10 December 2007.


Concert performances of "Dazed and Confused" gradually extended the improvised solos up to 45 minutes in duration, by 1975. The bowed and guitar solo sections in total would encompass up to 15 minutes alone. Progressively the bowed guitar solo was given room for extended free-form improvisation, which included a krypton [[laser]] light show in the latter half of the 1970s, to add to the theatrical spectacle.<ref>Steve Waksman, "Rock Guitar from the 1950s to the 1970s" in Coelho, Victor (ed.) ''The Cambridge Companion to the Guitar'', 1st Edition, Cambridge: Cambridge University Press, 2003, p. 119, ISBN 0-521-80192-3</ref> Further instrumental flourishes were added between the verses after 1972, punctuating the lyrical mannerisms of Plant. "Dazed and Confused" was briefly dropped at the start of 1975 after Page suffered a dislocation of his ring finger on his left hand, and the song was temporarily replaced with the easier "How Many More Times" in the setlist. The song has been performed on every tour, until after 1975's series of Earl Court shows, at which time it was rested for a revamped setlist for the 1977 [[American]] tour, with only snippets played within a song medley of "Achilles Last Stand".<ref>Dave Lewis (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-7119-3528-9.</ref> Page again presented it on his solo appearances and it was performed once again with Led Zeppelin at the O2 Arena, London for the Ahmet Ertegün Tribute Concert, on December 10, 2007.
'Dazed and Confused' has appeared on countless bootleg recordings, including the (in)famous ''Live on Blueberry Hill'' release. The only official live releases has been the 1976 in-concert film ''The Song Remains the Same'' featuring a version from 1973, synced with Page's fantasy sequence of a hooded hermit changing into Page as Father Time, being acted out on the face of a snow capped Scotland|Scottish mountain. The double disc compilation DVD, ''Led Zeppelin (DVD)|Led Zeppelin'' and the ''BBC Sessions (Led Zeppelin album)‎|BBC Sessions'' album also contain various live permutations of 'Dazed and Confused'.


"Dazed and Confused" has appeared on countless bootleg recordings, including the (in)famous ''Live on Blueberry Hill'' release. The only official live releases has been the 1976 in-concert [[film]] ''The Song Remains the Same'' featuring a version from 1973, synched with Page's fantasy sequence of a hooded hermit changing into Page as Father Time, being acted out on the face of a snow capped [[Scotland|Scottish]] mountain. The double disc compilation DVD, ''Led Zeppelin'' and the ''BBC Sessions'' album also contain various live permutations of "Dazed and Confused".
==Song incorporation==
The improvisational nature of the live version of 'Dazed and Confused' allowed for other Led Zeppelin material and favourite covers to be eased into the composition. 'The Crunge' and 'Walter's Walk' were added by 1972, and these can be heard on the triple live album ''How the West Was Won (album)|How the West Was Won''. Elements of 'Ozone Baby' was added during their US tour of 1975.<ref>{{cite book | author= Lewis, Dave| title=Led Zeppelin: From a Whisper to a Scream| location=London| publisher=Omnibus Press| year=2012| pages=24| isbn=978-1-78038-547-1}}</ref> During the Japan tour of 1972, anything was fair game and within the next 12 months, Plant would also sing lyrics from either Scott McKenzie's 'San Francisco (Be Sure to Wear Flowers in Your Hair)', Joni Mitchell's 'Woodstock' or even rarer the Eagles 'Take It Easy' during the song's evolution.<ref>{{cite book | author= Fast, Susan| title= In the Houses of the Holy: Led Zeppelin and the Power of Rock Music| location=New York| publisher=Oxford University Press| year=2001 | pages=29| isbn=978-0-19-514723-0}}</ref> Gustav Holst's 'Mars, the Bringer of War' from 'The Planets' suite would also be incorporated into part of the bowed guitar solo.


==Song incorporation==
==Cultural influences==
Film director Richard Linklater used the title of the song for the basis of his 1993 theatrical period piece release ''Dazed and Confused'', based on the lives of high school students in the summer of 1976. The film soundtrack however did not utilise the song, despite pleas from Linklater to members of the band. Page agreed after some hesitation but Plant declined. The director had planned to use it for the opening credits of the film, which eventually went to Aerosmith's 'Sweet Emotions'. Linklater retained the title as the script described his, and his friends', high school experiences in the 1970s.<ref>{{cite book | author= Linklater, Richard and Montogomery, Denise (eds.)| title=Dazed and Confused: Inspired by the Screenplay by Richard Linklater| location=New York| publisher=St. Martin's Press| year=1993 | pages=| isbn=978-0-312-09466-9}}</ref>


The improvisational nature of the live version of "Dazed and Confused" allowed for other Led Zeppelin material and favourite covers to be eased into the composition. "The Crunge" and "Walter's Walk" were added by 1972, and these can be heard on the triple live album ''How the West was Won''. Elements of "Ozone Baby" was added during their US tour of 1975.<ref>{{cite book | author= Lewis, Dave| title= Led Zeppelin: The Complete Guide to Their Music| edition=1st Edition | location=London| publisher=Omnibus  Press| year=2004 | pages=p. 66| id=ISBN 1-84449-141-2}}</ref> During the [[Japan]] tour of 1972, anything was fair game and within the next 12 months, Plant would also sing lyrics from either Scott McKenzie's "San Francisco (Be Sure to Wear Flowers in Your Hair)", Joni Mitchell's "Woodstock" or even rarer The Eagles "Take It Easy" during the song's evolution.<ref>{{cite book | author= Lewis, Dave| title= Led Zeppelin: A Celebration| edition=Revised Edition | location=London| publisher=Omnibus  Press| year=2001 | pages=p. 54| id=ISBN 0-7119-9651-2}}</ref> Gustav Holst's "Mars, the Bringer of War" from "The Planets" suite would also be incorporated into part of the bowed guitar solo.
French Charly 1300 TMP chart listed this song as number 1.<ref name="French charly chart">{{cite web|url=http://charly1300.pagesperso-orange.fr/1970.htm#mars|title=Charly 1300 Top 10 Songs: 22 March 1970|publisher=Charly 1300|accessdate=1 August 2013}}</ref>


==Cultural influences==
===Accolades===
{|class="wikitable sortable"
|-
! Publication
! Country
! Accolade
! Year
!align="center"|Rank
|-
| Rock and Roll Hall of Fame
| United States
| 'The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll'<ref>{{cite web | url=http://www.rocklistmusic.co.uk/steveparker/halloffame.htm|title=The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll - December 1994|accessdate=1 August 2013|publisher=Jacobs Media}}</ref>
| 1994
| *
|-
| ''Pause & Play''
| United States
| 'Time Capsule Inductions - Songs'<ref>{{cite web | url=http://www.pauseandplay.com/features/vault-of-fame/vault-of-fame-songs/|title=Time Capsule Inductions: Songs - July 1998|accessdate=1 August 2013|publisher=''Pause & Play''}}</ref>
| 1998
| *
|-
| ''New Musical Express''
| United Kingdom
| '117 Songs to Soundtrack Your Summer'<ref>{{cite web | url=http://www.rocklistmusic.co.uk/nme_writers.htm#117 Songs to soundtrack your summer|title=117 Songs to soundtrack your summer - May 2003|accessdate=1 August 2013|publisher=''NME''}}</ref>
| 2003
| *
|-
| Toby Creswell
| Australia
| '1001 Songs: the Great Songs of All Time<ref>{{cite book|last=Creswell|first=Toby|date=2005|chapter=Dazed and Confused|title=1001 Songs: the Great Songs of All Time|location=Prahran|publisher=Hardie Grant Books|pages=745|isbn=978-1-74066-458-5}}</ref>
| 2005
| *
|-
| ''Pitchfork Media''
| United States
| 'The 200 Greatest Songs of the 1960s'<ref>{{cite web | url=http://pitchfork.com/features/staff-lists/6405-the-200-greatest-songs-of-the-1960s/|title=The 200 Greatest Songs of the 1960s - August 2006|accessdate=1 August 2013 |publisher=''Pitchfork Media''}}</ref>
| 2006
| 11
|-
| ''Q (magazine)|Q''
| United Kingdom
| 'The 20 Greatest Guitar Tracks'<ref>{{cite web | url=http://www.rocklistmusic.co.uk/qlistspage3.htm#20 Greatest Guitar Tracks|title=The 20 Greatest Guitar Tracks - September 2007|accessdate=1 August 2013 |publisher=''Q''}}</ref>
| 2007
| 2
|-
| ''Q (magazine)|Q''
| United Kingdom
| '21 Albums That Changed Music - Key Track'<ref>{{cite web | url=http://www.rocklistmusic.co.uk/qlistspage3.htm#21 Albums That Changed Music | title=21 Albums That Changed Music: Key Track - November 2007| accessdate=1 August 2013 | publisher=''Q''}}</ref>
| 2007
| 6
|-
|}


Film director Richard Linklater used the title of the song for the basis of his 1993 theatrical period piece release ''Dazed and Confused'', based on the lives of high school students in the summer of 1976. The film soundtrack however did not utilise the song, despite pleas from Linklater to members of the band. Page agreed after some hesitation but Plant declined. The director had planned to use it for the opening credits of the film, which eventually went to Aerosmith's "Sweet Emotions". Linklater retained the title as the script described his, and his friends', high school experiences in the 1970s.<ref>{{cite book | author= Linklater, Richard and Montogomery, Denise (eds.)| title=Dazed and Confused: Inspired by the Screenplay by Richard Linklater | edition=1st Edition | location=New York| publisher=St. Martin's Press| year=1993 | pages=| id=ISBN 0-312-09466-3}}</ref>
<small>(*) designates unordered lists.</small>


In the long running animated [[Situation comedy|sitcom]] series ''The Simpsons'', the episode entitled "The Front" (Season 4, Episode 19) featured an Itchy & Scratchy sketch called "Dazed and Contused", a pun on the song title. "Dazed and Contused"'s storyline revolved around Itchy & Scratchy telling kids to say no to drugs after their standard splatterfest.
==Credits==
{|class="wikitable"
|colspan="2" style="background:#ccffcc"|<center>'''Personnel'''</center>
|-
|
*Musicians:
**Jimmy Page – electric guitar, producer, remastering, digital remastering
**Robert Plant – vocals
**John Paul Jones – bass guitar
**John Bonham - drums, percussion
*Production:
**Peter Grant – executive producer
**Glyn Johns - engineer, mixing
**Joe Sidore - original CD mastering engineer (mid-1980s)
**George Marino - remastered CD engineer (1990)
|-
|}


==Notes==
==References==
<references/>
{{reflist|2}}[[Category:Suggestion Bot Tag]]

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Dazed and Confused
Appears on Led Zeppelin (album)
Published by Superhype Music
Registration ASCAP 340128276
Release date February 1969
Recorded October 1968
Genre Psychedelic rock
Language English
Length 6 minutes 26 seconds
Composer Jimmy Page[1]
Label Atlantic Records
Producer Jimmy Page
Engineer Glyn Johns

'Dazed and Confused' is a song written and arranged by British Isles|British rock group Led Zeppelin, based on an original composition by Jake Greer Holmes, also titled 'Dazed and Confused'. Led Zeppelin's heavier and electric 'Dazed and Confused' was considered so significantly different from the Holmes acoustic version that the American Society of Composers, Authors and Publishers (ASCAP) assigned the unique serial registration of 340128276[2] to its copyright, lodged by the newly created music publisher Superhype Music in 1968. Led Zeppelin's 'Dazed and Confused' has since been widely song cover|covered and was an early performance highlight for the group.

Album version

Engineered and mixed by Glyn Johns at Olympic Studios, London in October 1968, 'Dazed and Confused' was included as a key track on Led Zeppelin's eponymous 1969 debut album, Led Zeppelin (album)|Led Zeppelin. The final album version was just the second of two takes the group recorded, with only the violin bow section overdubbed.[3] Opening with a measured slow-tempo rhythm accentuated by John Paul Jones' descending Bass guitar|bass line in the key of G Major, it builds to a climactic menacing performance, initiated by John Bonham's intense drumming and Jimmy Page's rapid fire guitar solo.[4] Jones' bass playing lays down the song structure, with a tenth jump from E then to G, followed by a descending G-F#-F-E pattern switching to D-C#-C-B. Page's single note playing is two octaves above, doubling the chromatic ostinato of the bass. This riff pattern is used throughout as an instrumental link and during the verse, only to be broken by a second riff on B, consisting of B-E-F#-A-B in one bar.

A song very much influenced by the psychedelic period, with Robert Plant's manic blues-inflected pleading and Page's use of bowed guitar imbuing a sense of emotional foreboding.[5] Page's main Musical instrument|instrument for the recording was a 1958 Fender Telecaster with Supro amplification, a Vox wah pedal modified by Roger Mayer, and the ambience on the solo was achieved using EMT plate reverb.[6] His frenetic solo adapted from an earlier recording he appeared on called 'Think About It', which was a B-side on the Yardbirds final studio output. Page would later use his bowing technique on a number of other tracks, most notably 'How Many More Times', 'LA Drone' and 'In the Light'.[7] Page when asked about the technique:

I just wanted the guitar to sound different.[8]

Live performances

Image:Jppromo1971.jpg|right|thumb|300px|© Photo: ledzeppelin.com


Jimmy Page performing his bowed guitar solo in 'Dazed and Confused', at Ulster Hall, Belfast on 5 March 1971.

Concert performances of 'Dazed and Confused' gradually extended the improvised solos up to 45 minutes in duration, by 1975. The bowed and guitar solo sections in total would encompass up to 15 minutes alone. Progressively the bowed guitar solo was given room for extended free-form improvisation, which included a krypton laser light show in the latter half of the 1970s, to add to the theatrical spectacle.[9] Further instrumental flourishes were added between the verses after 1972, punctuating the lyrical mannerisms of Plant. 'Dazed and Confused' was briefly dropped at the start of 1975 after Page suffered a dislocation of his ring finger on his left hand, and the song was temporarily replaced with the easier 'How Many More Times' in the set list. The song has been performed on every tour, until after 1975's series of Earl Court shows, at which time it was rested for a revamped set list for the 1977 American tour, with only snippets played within a song medley of 'Achilles Last Stand'.[10] Page again presented it on his solo appearances and it was performed once again with Led Zeppelin at the O2 Arena, London for the Ahmet Ertegun Tribute Concert, on 10 December 2007.

'Dazed and Confused' has appeared on countless bootleg recordings, including the (in)famous Live on Blueberry Hill release. The only official live releases has been the 1976 in-concert film The Song Remains the Same featuring a version from 1973, synced with Page's fantasy sequence of a hooded hermit changing into Page as Father Time, being acted out on the face of a snow capped Scotland|Scottish mountain. The double disc compilation DVD, Led Zeppelin (DVD)|Led Zeppelin and the BBC Sessions (Led Zeppelin album)‎|BBC Sessions album also contain various live permutations of 'Dazed and Confused'.

Song incorporation

The improvisational nature of the live version of 'Dazed and Confused' allowed for other Led Zeppelin material and favourite covers to be eased into the composition. 'The Crunge' and 'Walter's Walk' were added by 1972, and these can be heard on the triple live album How the West Was Won (album)|How the West Was Won. Elements of 'Ozone Baby' was added during their US tour of 1975.[11] During the Japan tour of 1972, anything was fair game and within the next 12 months, Plant would also sing lyrics from either Scott McKenzie's 'San Francisco (Be Sure to Wear Flowers in Your Hair)', Joni Mitchell's 'Woodstock' or even rarer the Eagles 'Take It Easy' during the song's evolution.[12] Gustav Holst's 'Mars, the Bringer of War' from 'The Planets' suite would also be incorporated into part of the bowed guitar solo.

Cultural influences

Film director Richard Linklater used the title of the song for the basis of his 1993 theatrical period piece release Dazed and Confused, based on the lives of high school students in the summer of 1976. The film soundtrack however did not utilise the song, despite pleas from Linklater to members of the band. Page agreed after some hesitation but Plant declined. The director had planned to use it for the opening credits of the film, which eventually went to Aerosmith's 'Sweet Emotions'. Linklater retained the title as the script described his, and his friends', high school experiences in the 1970s.[13]

French Charly 1300 TMP chart listed this song as number 1.[14]

Accolades

Publication Country Accolade Year Rank
Rock and Roll Hall of Fame United States 'The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll'[15] 1994 *
Pause & Play United States 'Time Capsule Inductions - Songs'[16] 1998 *
New Musical Express United Kingdom '117 Songs to Soundtrack Your Summer'[17] 2003 *
Toby Creswell Australia '1001 Songs: the Great Songs of All Time[18] 2005 *
Pitchfork Media United States 'The 200 Greatest Songs of the 1960s'[19] 2006 11
Q United Kingdom 'The 20 Greatest Guitar Tracks'[20] 2007 2
Q United Kingdom '21 Albums That Changed Music - Key Track'[21] 2007 6

(*) designates unordered lists.

Credits

Personnel
  • Musicians:
    • Jimmy Page – electric guitar, producer, remastering, digital remastering
    • Robert Plant – vocals
    • John Paul Jones – bass guitar
    • John Bonham - drums, percussion
  • Production:
    • Peter Grant – executive producer
    • Glyn Johns - engineer, mixing
    • Joe Sidore - original CD mastering engineer (mid-1980s)
    • George Marino - remastered CD engineer (1990)

References

  1. ↑ As officially registered with ASCAP
  2. ↑ ASCAP entry 'Dazed and Confused'. ASCAP. Retrieved on 24 April 2014.
  3. ↑ Benson, Joe (1995). Uncle Joe's Record Guide: Hard Rock: Volume 1, Revised. London: J Benson Unlimited, 12. ISBN 978-0943-03114-9. 
  4. ↑ Welch, Chris (2009). Led Zeppelin: The Stories Behind Every Led Zeppelin Song, Revised. London: Carlton Books Ltd, 25. ISBN 978-1-84732-286-9. 
  5. ↑ Williamson, Nigel (2014). “The Music: 50 Great Led Zeppelin Tracks”, The Dead Straight Guide to Led Zeppelin. London: Red Planet Publishing, 214. ISBN 978-1-9059-5952-5. 
  6. ↑ Jimmy Page interview in 'Hammer of the Gods', Guitar World (October 1993) Vol. 14 No. 2.
  7. ↑ Fast, Susan (2001). In the Houses of the Holy: Led Zeppelin and the Power of Rock Music. New York: Oxford University Press, 30. ISBN 978-0-19-514723-0. 
  8. ↑ Jimmy Page, 1969
  9. ↑ Steve Waksman, 'Rock Guitar from the 1950s to the 1970s' in Coelho, Victor (ed.) The Cambridge Companion to the Guitar, Cambridge: Cambridge University Press, 2003, p. 119, ISBN 978-0-521-00040-6
  10. ↑ Lewis, Dave (2012). Led Zeppelin: From a Whisper to a Scream. London: Omnibus Press, 25. ISBN 978-1-78038-547-1. 
  11. ↑ Lewis, Dave (2012). Led Zeppelin: From a Whisper to a Scream. London: Omnibus Press, 24. ISBN 978-1-78038-547-1. 
  12. ↑ Fast, Susan (2001). In the Houses of the Holy: Led Zeppelin and the Power of Rock Music. New York: Oxford University Press, 29. ISBN 978-0-19-514723-0. 
  13. ↑ Linklater, Richard and Montogomery, Denise (eds.) (1993). Dazed and Confused: Inspired by the Screenplay by Richard Linklater. New York: St. Martin's Press. ISBN 978-0-312-09466-9. 
  14. ↑ Charly 1300 Top 10 Songs: 22 March 1970. Charly 1300. Retrieved on 1 August 2013.
  15. ↑ The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll - December 1994. Jacobs Media. Retrieved on 1 August 2013.
  16. ↑ Time Capsule Inductions: Songs - July 1998. Pause & Play. Retrieved on 1 August 2013.
  17. ↑ Songs to soundtrack your summer 117 Songs to soundtrack your summer - May 2003. NME. Retrieved on 1 August 2013.
  18. ↑ Creswell, Toby (2005). “Dazed and Confused”, 1001 Songs: the Great Songs of All Time. Prahran: Hardie Grant Books, 745. ISBN 978-1-74066-458-5. 
  19. ↑ The 200 Greatest Songs of the 1960s - August 2006. Pitchfork Media. Retrieved on 1 August 2013.
  20. ↑ Greatest Guitar Tracks The 20 Greatest Guitar Tracks - September 2007. Q. Retrieved on 1 August 2013.
  21. ↑ Albums That Changed Music 21 Albums That Changed Music: Key Track - November 2007. Q. Retrieved on 1 August 2013.
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