Note (music)/Bibliography: Difference between revisions
Jump to navigation
Jump to search
imported>John R. Brews (Aiken) |
imported>John R. Brews (link) |
||
Line 2: | Line 2: | ||
*{{cite book |title=The Psychology of Music |editor=Diana Deutsch, ed |author=Edward M Burns |chapter=Chapter 7: Intervals, Scales and Tuning |url=http://books.google.com/books?id=A3jkobk4yMMC&pg=PA215 |pages=pp. 215 ''ff'' |isbn=0122135652 |edition=2nd ed |year=1999 |publisher=Gulf Professional Publishing}} A detailed discussion of musical scales and pitches used in various cultures. | *{{cite book |title=The Psychology of Music |editor=Diana Deutsch, ed |author=Edward M Burns |chapter=Chapter 7: Intervals, Scales and Tuning |url=http://books.google.com/books?id=A3jkobk4yMMC&pg=PA215 |pages=pp. 215 ''ff'' |isbn=0122135652 |edition=2nd ed |year=1999 |publisher=Gulf Professional Publishing}} A detailed discussion of musical scales and pitches used in various cultures. | ||
*{{cite book |title=The Cambridge History of Western Music Theory |author=Rudolf Rasch |chapter=Tuning and temperament |url=http://books.google.com/books?id=ioa9uW2t7AQC&pg=PA193 |page=pp. 193 ''ff'' |isbn= 0521623715 |publisher=Cambridge University Press |year=2002 |editor=Thomas Street Christensen, ed}} An historical run-down with technical descriptions of various Western tuning schemes. | *{{cite book |title=The Cambridge History of Western Music Theory |author=Rudolf Rasch |chapter=Tuning and temperament |url=http://books.google.com/books?id=ioa9uW2t7AQC&pg=PA193 |page=pp. 193 ''ff'' |isbn= 0521623715 |publisher=Cambridge University Press |year=2002 |editor=Thomas Street Christensen, ed}} An historical run-down with technical descriptions of various Western tuning schemes. | ||
*{{cite book |title=A Player's Guide to Chords & Harmony: Music Theory for Real-World Musicians |author=Jim Aikin |url=http://books.google.com/books?id=RNF0PuL-yfIC&printsec=frontcover |publisher=Hal Leonard Corporation |isbn=0879307986 |year=2004 }} A readable introduction to chords and temperament. Appendix B: ''The harmonic series & equal temperament'', pp. 177 ''ff'', is an excellent introduction to this topic. | *{{cite book |title=A Player's Guide to Chords & Harmony: Music Theory for Real-World Musicians |author=Jim Aikin |url=http://books.google.com/books?id=RNF0PuL-yfIC&printsec=frontcover |publisher=Hal Leonard Corporation |isbn=0879307986 |year=2004 }} A readable introduction to chords and temperament. Appendix B: ''The harmonic series & equal temperament'', pp. 177 ''ff'', is an excellent introduction to this topic. At time of writing, using Amazon's ''Look Inside'' feature [http://www.amazon.com/Players-Guide-Chords-Harmony-ebook/dp/B002LSHX0Y#reader_0879307986 this Appendix was available] . |
Revision as of 08:44, 30 June 2012
- Please sort and annotate in a user-friendly manner. For formatting, consider using automated reference wikification.
- Edward M Burns (1999). “Chapter 7: Intervals, Scales and Tuning”, Diana Deutsch, ed: The Psychology of Music, 2nd ed. Gulf Professional Publishing, pp. 215 ff. ISBN 0122135652. A detailed discussion of musical scales and pitches used in various cultures.
- Rudolf Rasch (2002). “Tuning and temperament”, Thomas Street Christensen, ed: The Cambridge History of Western Music Theory. Cambridge University Press. ISBN 0521623715. An historical run-down with technical descriptions of various Western tuning schemes.
- Jim Aikin (2004). A Player's Guide to Chords & Harmony: Music Theory for Real-World Musicians. Hal Leonard Corporation. ISBN 0879307986. A readable introduction to chords and temperament. Appendix B: The harmonic series & equal temperament, pp. 177 ff, is an excellent introduction to this topic. At time of writing, using Amazon's Look Inside feature this Appendix was available .