Cent (music): Difference between revisions

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<ref name=Ohgushi>
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{{cite journal |title=The Relationship between Musical Pitch and Temporal Responses of
{{cite journal |title=The Relationship between Musical Pitch and Temporal Responses of the Auditory Nerve Fibers |journal=Journal of Physiological Anthropology and Applied Human Science |volume=24 |issue=1 |pages=pp. 99-101 |year=2005 |author=Ohgushi, K and Ano, Y |url=http://www.brainmusic.org/EducationalActivitiesFolder/Ohgushi_pitch2005.pdf }}
the Auditory Nerve Fibers |journal=Journal of Physiological Anthropology and Applied Human Science |volume=24 |issue=1 |pages=pp. 99-101 |year=2005 |author=Ohgushi, K and Ano, Y |url=http://www.brainmusic.org/EducationalActivitiesFolder/Ohgushi_pitch2005.pdf }}
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Revision as of 12:55, 13 July 2012

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The cent is a logarithmic measure of a musical interval introduced by Alexander Ellis. A cent is the logarithmic division of the equitempered semitone into 100 equal parts. In terms of a formula, the separation or interval between two frequencies ƒ1 and ƒ2 in cents is determined as:

Consequently, two frequencies ƒ1 and ƒ2 separated by an interval of 1 cent are in the ratio:

that is, by a ratio given by the 1200th root of 2.

The cent appears in an article Alexander Ellis published in 1885[1] and also in the appendix he added to his translation of Herman von Helmholtz's On the Sensation of Tone As a Physiological Basis for the Theory of Music,[2] also published as Die Lehre von den Tonempfindungen, translated as On the sensations of tone.[3]

According to Ellis, when two notes are played together, a difference of 2 cents is noticeable, and a difference of 5 cents is heard as out of tune.[1] Recent observations suggest errors of 5-15 cents in pitch estimates are common, with errors of 20-50 cents above A7 (the 7th octave, 3 octaves above the octave containing middle C). The increased error at higher pitch was traced to a systematic error in the response of auditory nerves in the ear.[4]

References

  1. 1.0 1.1 Alexander J Ellis (March 25, 1885). "On the musical scales of various nations; §III.–Cents". Journal of the Society of Arts 33: p. 487.
  2. Herman von Helmholtz (1912). “Footnote, p. 41 and Appendix XX, Section C”, On the Sensation of Tone As a Physiological Basis for the Theory of Music, Alexander Ellis translation of 4th German ed. Longmans, Green. 
  3. Herman von Helmholtz (1954). On the sensations of tone, Reprint of 1885 translation by Alexander Ellis. Courier Dover Publications. ISBN 0486607534. 
  4. Ohgushi, K and Ano, Y (2005). "The Relationship between Musical Pitch and Temporal Responses of the Auditory Nerve Fibers". Journal of Physiological Anthropology and Applied Human Science 24 (1): pp. 99-101.