Contralto: Difference between revisions
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In classical western music, contralto is the lowest female singing voice, and the rarest of the human voice types. | In classical western [[music]], '''contralto''' is the lowest female singing voice, and the rarest of the human voice types. | ||
While in common parlance ''contralto'' and ''alto'' are often used interchangeably, to purists, the word ''alto'', from the Italian for "high", simply describes a range of notes, and by extension the instruments or voice parts that fit this range, whereas ''contralto'' qualifies the type of female voice singing within the alto range. So, [[mezzo-soprano]]s, [[countertenor]]s and, in a pinch, even [[soprano]]s who can hit low notes and high [[tenor]]s can sing an alto part in, for example, [[Four-part chorus|four-part (SATB) choruses]]. | While in common parlance ''contralto'' and ''alto'' are often used interchangeably, to purists, the word ''alto'', from the Italian for "high", simply describes a range of notes, and by extension the instruments or voice parts that fit this range, whereas ''contralto'' qualifies the type of female voice singing within the alto range. So, [[mezzo-soprano]]s, [[countertenor]]s and, in a pinch, even [[soprano]]s who can hit low notes and high [[tenor]]s can sing an alto part in, for example, [[Four-part chorus|four-part (SATB) choruses]]. | ||
The true operatic contralto is a rare voice type, and consequently, a relatively small body of work has been written for this voice. Alto voice parts are therefore not only sung by contraltos, but by other voices as well, most commonly mezzo-sopranos. | |||
Latest revision as of 19:24, 7 January 2011
In classical western music, contralto is the lowest female singing voice, and the rarest of the human voice types.
While in common parlance contralto and alto are often used interchangeably, to purists, the word alto, from the Italian for "high", simply describes a range of notes, and by extension the instruments or voice parts that fit this range, whereas contralto qualifies the type of female voice singing within the alto range. So, mezzo-sopranos, countertenors and, in a pinch, even sopranos who can hit low notes and high tenors can sing an alto part in, for example, four-part (SATB) choruses.
The true operatic contralto is a rare voice type, and consequently, a relatively small body of work has been written for this voice. Alto voice parts are therefore not only sung by contraltos, but by other voices as well, most commonly mezzo-sopranos.